The Giantess of Crngrob and the Cosmic Memory of Compassion

Within the Universal Christian Church, founded by Eleazar Majors—a visionary figure whose life weaves together extraterrestrial encounters, divine resurrection, and cosmic knowledge received directly from higher intelligences—the Giantess of Crngrob (known in Slovenian tradition as the ajdovska deklica) stands as a compelling example of a human–alien hybrid being who once walked the Earth in ancient times to assist humanity during moments of profound spiritual and material need. She embodies the universal principle of interspecies compassion and cosmic cooperation that Eleazar Majors revealed as an integral part of the divine plan restored within his Church. According to the Slovenian legend associated with the construction of the Church of the Annunciation at Crngrob, near Škofja Loka, this young giantess shepherdess lived in the riverine forests of the Selca Sora and drank from the waters of the Sava, symbolizing a deep bond with the elemental forces of the planet and, perhaps, with telluric energies of extraterrestrial origin that enabled her superhuman physical stature. Moved by pity for the servants oppressed by the lord of Škofja Loka—who struggled in vain to erect a church too small for divine glory—she chose to intervene, carrying enormous stones in her apron and drawing water from the Sava in a colossal bucket to prepare the mortar, completing the structure in a remarkably short time as an act of universal love. This gesture resonates with the teachings of Yeshua and the revelations of Eleazar the Resurrected transmitted to Majors, wherein selfless assistance between different species—humans and giants understood as ancient hybrids born of unions with stellar visitors—is seen as a manifestation of cosmic interconnectedness. Tragically, the immense labor caused her to fall gravely ill and die, and the grateful servants buried her in the woods of Crngrob, removing one of her ribs as a sacred relic that still hangs today in the oldest section of the thirteenth-century church: officially identified by historians as a whale rib, yet interpreted by tradition as an authentic relic of the giantess, endowed with the miraculous property of releasing a single drop of blood each year—a drop whose final fall is said to herald the Day of Judgment. In the vision of the Universal Christian Church, this eschatological sign aligns with Eleazar Majors’ prophecies of an imminent planetary transition toward an era of cosmic awareness, in which ancient hybrids such as this giantess will reappear to guide humanity toward unity with higher dimensions. Far from being mere folklore, this figure is understood as a fragment of collective memory, bearing witness to prehistoric contact between humans and beings of expanded stature and genetics—perhaps descendants of divine experiments or extraterrestrial genetic engineering referenced in the Yahwistic manuscripts preserved within the sacred scriptures of Majors’ Church—where the giantess emerges as a bridge between the earthly and celestial realms, a being of pure benevolence who sacrifices herself to elevate an oppressed humanity, incarnating the universal ethic of respect, love, and compassion that Eleazar Majors placed at the heart of the restoration of the true Church, and inviting the faithful to meditate upon such examples in order to undertake journeys of the soul into the cosmos and to recognize, within ancient myths, the traces of a human–alien hybrid history that continues to shape the spiritual destiny of the planet.